Bloch, S. (2003)
As Alba Emoting started to become a very useful tool for actor training, Prof. Hyrum Conrad, from the Department of Theatre in Birmingam

“Precise respiratory-posturo-facial patterns are related to specific basic emotions”

Susana Bloch & Madeleine Lemingnan
The study of emotions has been approached from different directions.

Extracts from the book “The Alba of Emotions”

Susana Bloch
click on the name of the book to download the extracts

“Dealing with Emotional Hangover: Cool-down and the Performance Cycle in Acting”

Richard Geer
Please, click on the name of the article to download

“A Revolution in Emotion: The Alba Technique”

Patricia Angelin
I have been acting, off-Broadway, for 48 weeks a year since 1976.

“A revolution in emotion for the actor”

Routledge (NY, London), Dec. 2002, pp 205-219
The student inhales deeply through the nose into her abdomen, then releases through her mouth in short bursts

“Alba Emoting: A psychophysiological technique to help actors create and control real emotions”

Susana Bloch
Bernard writes about a great actress who had just finished playing a role in which she had vividly expressed

3 “Rejoinder to comments on “Effector patterns of basic emotions”

Susana Bloch
Please, click on the name of the article to download

“Effector patterns of basic emotions: a psychophysiological method for training actors”

Susana Bloch, Pedro Orthus & Guy Santibáñez
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Adapted EXTRACTS concerning William James

By Susana Bloch, JUNE, 2012.
All these years, during which I have lived with Alba Emoting, I have encountered unexpected well-known allies in this subject, such as Shakespeare, Garcia Lorca, Diderot, Artaud